Erin Boheme	Website:	www.ErinBoheme.com
	Genre(s):	Smooth, Easy Swing Pop Jazz, Contemporary Pop
	Instrument(s):	Vocals
	Trademark(s):	Nearly three octave range spanning alto into soprano, Jazz / Pop Fusion Style, Smooth delivery
	Album(s):	What Love Is
	Collaborations:
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Nineteen year old Erin Boheme's 2006 release, What Love Is, matches the sublime vocalist on her first effort with refined, stylish smooth jazz instrumentation for the disarming set of sultry arrangements that comprise this enchanting album. Boheme's style is reminiscent of legendary popular jazz greats from mainstream easy swing, most obviously Frank Sinatra and his so called "rat pack", as well as a number of more subtle contemporary influences that give her a very "now" sound that breathes fresh life into her classic vocal style and the mainstream smooth / popular jazz material she draws from and covers. Boheme's voice resounds with a feminine, angelic clarity that is smoothly placid like a pristine, undisturbed mountain lake, though she imparts a sensual undertow that complements this silky surface with her sweetly sophisticated jazz inflections and seductive allure that is far beyond her years, notably on her stirring rendition of the Cole Porter standard, "Let's Do It". The result is a bemused listener willingly drawn under the comforting waters, happily drowning in the intoxicating charms of her mesmerizing voice. Boheme's voice is really unlike any other classic female jazz vocalist, residing primarily in the range of alto spanning into soprano, capable of scaling lower hues for her jazz snarls and deeper phrasings, though most comfortable in the lower alto register. (Her tone, style, and range really cannot be likened to Sarah Vaughan, Billie Holiday, Ella Fitzgerald, Lena Horne, Nancy Wilson, Julie London, etc. Maybe the nearest thing to her sound is Peggy Lee.) Boheme exhibits a range near three octaves in breadth and this distinctive range together with her innocent yet knowingly enticing style gives her a very unique, signature sound that easily distinguishes her from other well-known jazz vocalists.

Behome's capable vocals are integrated with an exceptionally produced array of rich orchestration that provides fine support for her talents. The instrumentation is fashioned around a core ensemble of piano, bass, drums, and strings, though the arrangements further integrate guitar, sax, and trumpet leads to augment the sonic texture. This graceful ensemble principally facilitates the creation of a smoothly mellow, posh backdrop for Behome's melodiously lyrical voice to contrast, though several noteworthy instrumental leads contribute pleasingly to the overall listening experience.

Erin Boheme's singing career is off to a good start with her suave vocal efforts on What Love Is. Demonstrating an impressive maturity of both presence and musical ability, this young vocalist seems destined for greatness. Her daring to venture into smooth pop jazz in an era dominated with mindless, sex-oriented pop is commendable, though her graceful talents are well-suited to her poignant direction that appears to be a likely catalyst for a long overdue revival of the fading art. Fans of smooth pop jazz and contemporary pop with an elegant twist will enjoy this sprightly youthful yet sophisticatedly refined musical effort from the young Ms. Boheme and her fine accompaniment.

All things considered, Boheme has recorded an impressive effort on her polished debut release, What Love Is. I have consulted with my feline companion, the resident, expert authority on the subject, and we both agree... Erin Boheme is without a doubt the cat's meow. Four paws up! (Apparently, the little bugger is flat on his back after listening to the CD...)

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