Jason Becker |
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Genre(s): | Neoclassical, Progressive Metal, Shred | |||
| Instrument(s): | Electric Guitar, Acoustic Guitar | ||||
| Trademark(s): | Virtuoso guitarist, purist neoclassical compositions that are melodical and accessible, blazing speed, articulate precision, awesome sweep picking, exotic scales, pioneer of the neoclassical genre. | ||||
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Jason Becker is one of the original pioneers of the neoclassical genre. He distinguished himself as a virtuoso guitarist who was not only able to pull of leading edge guitar technique, but was able to do it almost as second nature as he imparted clearly articulated musical vision and feeling to his playing. Becker integrates a combination of advanced, virtuoso guitar technique, purist neoclassical composition, exotic scales, outside yet accessible harmonization, and clearly projected musical direction in his style.
Jason Becker is plagued with a deteriorating physical condition known as ALS (Lou Gehrig's Disease) that has left in a state where he is no longer able to play guitar. This situation has saddened many fans of neoclassical music because it is a tragedy that so talented a guitarist should be stricken with such a debilitating disease that has taken away his playing talents from the entire world. Despite his struggle with ALS, Jason has maintained a positive attitude. In fact, Becker released an album after he was disabled by ALS that demonstrated that he has not lost his compositional skills.
| Various Artists: Tribute To Jason Becker: Warmth In The Wilderness Volume 2 |
| 2003, Lion Music, LMC 2225 2 |
| CyberHome: http://www.JasonBecker.com |
Warmth In The Wilderness Volume 2 is a stunning tribute to the great neoclassical pioneer, Jason Becker. The lineup on this collaborative effort features some world class guitarists, such as Marty Friedman, Steve Vai, and Lars Eric Mattsson, as well as some lesser known guitarists who step into the spotlight with some heroic guitar work. The tracks cover a number of the works of Jason Becker, as well as some tracks fashioned in the compositional and guitar style of Becker, and others that just pay tribute the way the musicians best knew how.
Though there are a number of remarkable efforts by different guitarists on this track, there are some that shine brighter than others, though the all contributions to this tribute to Jason Becker are great. Some tracks shine brightly due to the awesome guitar work on them and others for a combination of the guitar work and sentimental content they contain. It is compelling to hear Steve Vai's rendition of "Feathers" because he put such an effort into it and the quality of the playing is excellent. Marty Friedman's appearance on the double CD, "The Brightest Star of All", featuring the vocals of Melle Vasquez, is a touching tribute to his old friend and collaborator that sets the record straight about how he feels about Becker's talents. Friedman's flawless guitar work is, as usual, awesome in articulating different tones that are carefully matched to the content of the segments to achieve maximum emotional effect. Mistheria brings a touch of class and elegance to the album with the sophisticated piano passage based on "When You Wish Upon a Star" that leads into the raucous "A Jam for Jason" that lets the bluesy rock jamming gravel take a fly. Stephen Ross tackled "Perpetual Burn", making an inspired and notable effort on this difficult track, making sure he performed every note verbatim to Becker's original. European guitarist, Mario Parga closed out the first CD with his soulful, mesmerizing version of "Hourglass", demonstrating a rare grasp on the psychological nuances in Becker's style. Parga makes a superb performance that clearly projects the pain and sorrow that all fans of Jason Becker feel for his nobility in his suffering and his loss to his devoted listeners... a performance that is likely to bring tears to the eyes of Becker's most steadfast fans.
On the second CD of the two CD set, Slav Simanic takes on "Speed Metal Symphony" from Becker's collaboration with Friedman in Cacophony. Simanic pulls off this instrumental with near flawless coverage of this track, including the harmonized lead guitar segments. Max Arminchiardi follows up this with as stellular rendition of "Serrana" that captures not only Becker's compositions with impressive precision, but also nails the tones so accurately that you might think it was another recording of it by Jason himself. Ray DeTone answers this with his inspired rendition of "Images" that also approaches perfection in its coverage of the original. "The End of the Beginning" which is probably one of Becker's deepest and most meaningful compositions, is provided good coverage by Joseph Anastacio Glean's Valediction", though they do not attempt to cover the entire composition.
Among the originals that pay homage to Becker, there are several that are notable and deserve recognition. Randy Coven's "Poem", though different in some ways to Becker's aggressive side of his style, is a well-crafted piece that has a good feel to it. Steve Brooke arranged a composition, "Life Afterlife", cunningly designed with the duality of Becker's balladic melody side and the grinding, exotic, eastern-sounding harmonization metal side. Daniele Liverani composed a superb ballad complete with heart-wrenching, searing melodies crafted in the Becker-Friedman style that single-handedly captured the whole spirit and intent of the tribute. Liverani's ballad, though brief, has a sincere grief and respect for Becker that will once again touch the hearts of true fans of Becker's music. Rick Brannon and Dean Lopes collaborate on an original composition that deploys some cool guitar work that is reminiscent of Becker's balancing of aggression and melodic theme development. Rusty Cooley serves up an aggressive, hard-edged composition of his own invention that applies Becker's fusion of sweep picking and pattern traversals with good effect and offers suitable tribute to Becker.
The one thing that becomes very clear after listening to the many different guitarists from many different nations and cultures, and their many different interpretations of Becker's work, is how unbelievably great a composer, musician, and guitarist Jason Becker is. Some tracks make it clear how difficult the mechanics in his guitar work are and how gracefully Jason Becker executed them while seamlessly integrating his feeling and inflections that were perfect the first time around and clearly cannot be easily improved upon, if at all. It is also very striking to see how many superb guitarists have been influenced by Becker's works, so much so that they put monumental efforts into decoding his compositions and playing them to perfection. It is clear from this, that Jason Becker's music has gripped a generation of guitarists that constitute his legacy to the future in the chain of progressive music history. And, sadly, it is very apparent that ALS cut short a great fountain of talent and that has resulted in our loss of immeasureable volumes of unearthly music the likes of which few are capable of creation due to Jason Becker's tragic situation. But, though this is apparent, it is also clear that Jason Becker lives on through his music and his profound influence on the many incredible guitarists that collaborated on this effort and the many, many more whose voices were not heard on this tribute.
If you ever liked the music of Jason Becker, this is a great CD to restir the feelings of discovery you felt the first time you heard his compositions. If you have never listened to Jason Becker but are a fan of neoclassical or progressive metal, you should take a listen to many great guitarists that pay homage to the master that pioneered the genre. Though I am not sure that any tribute could be worthy of Jason Becker's talents, this tribute is awesome and is worthy of his fans past and present.
A parting thought to Jason from the author... Your music has touched the lives of more people and in more ways than you can imagine. Please remember that there are many that aspire and struggle to reach the heights that you alone achieved. Your music is your legacy and your immortality. You are the brightest star of all! Peace.
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| ~ Christopher Ruel ~ www.ChrisRuel.com ~ Chris@ChrisRuel.com ~ November 2003 |
Jason Becker released his monumental, instrumental, solo album, Perpetual Burn, in 1988. This album stands to date as the baseline example for the purist neoclassical format. Becker composed the strictly instrumental compositions in a strict classical format that showcased his virtuoso guitar technique. Jason's playing and composition on this album has withstood the tests of time and has served as an inspiration to the following generation of neoclassical musicians.
Becker deploys a combination of stunning virtuoso guitar pyrotechnics, striking melodical harmonization, highly-structured compositions, driving aggression, and gut-wrenching feeling that he imparts to his highly-accessible musical themes. Cacophony collaborator, Marty Friedman, lends a hand on the effort with guest solo appearances on some of the tracks.
Perpetual Burn is essential listening for the neoclassical genre. It has found a home on the top shelf of the collection since its release in 1988.
Jason Becker released Perspective in 1995, overcoming the problems he was suffering with ALS. Becker plays electric guitars and keyboards on a number of tracks on the album. The track "End of the Beginning" is a superb composition that features the virtuoso guitar work of Michael Lee Firkins that executes Becker's compositional vision. The musical vision conveyed on "End of the Beginning" conveys Becker's pain in his battle with ALS, as well as his positive attitude in reckoning with his personal situation. Besides the inspiring music that stand on its own, the emotional impact of this composition due to Becker's personal plight is very striking. This composition stands as one of Becker's finest and is comparable to the best neoclassical compositions to date.
Cacophony, Speed Metal Symphony
This is the album that catapulted Jason Becker and Marty Friedman into the spotlight of progressive metal and neoclassical music in 1987. Laden with exotic tonality, blistering speed, and complex compositions with heavy texturing, Becker and Friedman established themselves among the original masters of the neoclassical genre. In fact, the use of outside tonality and harmonization, redefined the boundaries of the neoclassical genre and served as a foundation for generations to come. The album contains two notable neoclassical compositions, "Concerto" and "Speed Metal Symphony" that clearly demonstrated Becker and Friedman's capabilities for classical composition and virtuoso execution of leading edge guitar technique.
Cacophony followed up Speed Metal Symphony with Go Off. This album was a fusion of metal vocal tracks and neoclassically-flavored instrumental tracks.
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