There are so many
guitarists that can shred and so few who can make quality music
doing it. Toshi Iseda is one of the few. What I appreciate most
about Iseda, is that his music is centered on thematic
development with relentless persistence. This focus gives Iseda's
music life and a direction to travel while it is living. And,
that direction aspires to reach the stars before life fades into
the evening sky. All that I can say when I hear what Iseda has
done with the vast array of advanced technique that he has
mastered, is "WOW". It is not that it is impressive
that he mastered so much advanced, progressive guitar technique
as many guitarists aspire, try, and some achieve, but it is
remarkable that Iseda is able to apply this technique with superb
effect in his carefully crafted arrangements.
Now, if you don't believe
all of this coming from me, you should take a look at who Iseda's
talent attracted to his lineup for this album. With names like
Tony MacAlpine, Michael Angelo, and Mike Terrana on the credits
for support on some tracks, you'd better believe that Toshi can
tear it up and shred! And, what is really cool about Toshi's
custom brand of shred, is that he has always got one ear on the
theme even when he is setting his fretboard on fire with his
blazing traversals. In this regard, his style is reminiscent of
the pre-fusion Greg Howe progressive metal. But, Iseda's
influences are not limited to any one artist and he spans a wide
range of influences that he has digested and fused with his own
musical vision to produce the dazzling musical style that he
parades on this effort. The MacAlpine, Angelo, Vai, and Friedman
influences are all discernable among flashes of a host of others.
But, the influences are not what is really significant about
Iseda's style and music. What is significant is that he can put
it all together in a comprehensive and coherent manner that
drives his musical vision into the listener's psyche.
So fans of the shred
school of instrumental rock, listen up! Toshi Iseda's the genuine
article and he is here to put a pulse back into your complacent
hearts. This album achieves what many guitar-centric,
instrumental progressive efforts before it were aimed at
accomplishing but came up short. Iseda pulls of heroic guitar
feats while having the composure to put his epic fretboard frenzy
into a tasty format for his listeners to feast on. This guy does
it all... ripping scales, mesmerizing, melodic tap-ons, spine-tingling
24th fret sweeps, evil synchronized runs in odd relative
intervals, and more creative uses of progressive guitar
techniques than you can shake your whammy at! Considering the
tracks with MacAlpine and Angelo, Iseda's playing is of such a
high caliber that it is not easily distinguishable which of the
three is playing. So, that should give some indication of his
skill and polish.
On the scale of "into
it", Toshi gets two thumbs up for breathing new life into
progressive, guitar-slinging, instrumental rock / shred with his
full on-slaught of in your face fretboard fury. Rare is it that a
musician single-handedly revives a genre by challenging the very
standards the genre is measured. Quality job Toshi! So, what are
you waiting for? Get to work on the next one! (... and send it
along for review when you do)
| Players: |
|
|
| Toshi Iseda |
|
Guitars, Bass,
Keyboards |
| Andy West |
|
Bass |
| Craig Quinn Kasin |
|
Drums |
| Kit Berman |
|
Drums |
| Tony MacAlpine |
|
Guest Guitar |
| Michael Angelo |
|
Guest Guitar |
| Michael Terrana |
|
Guest Drums |
|
| Tracks: |
| 1) Tokushima |
| 2) Full On! |
| 3) If I Were King |
| 4) Custer's Last
Groove |
| 5) Prelude to a Kiss |
| 6) The Sheltering Sky |
| 7) 92 in the Shade |
| 8) Angels Masquerading
as People |
| 9) Affair with a
Stranger |
| 10) Predator |
| 11) High Noon |
| 12) Crimson Tides |
| 13) Maryjane
Rottencrotch |
| 14) After the Fix |
| 15) Krackhead |
|
| ~ Christopher
Ruel ~ www.ChrisRuel.com ~ Chris@ChrisRuel.com ~ October 2003 |